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Conference tracks support global knowledge exchange, innovation, and sustainable development priorities across diverse disciplines.
This track explores how films depict memory through narrative structures and visual aesthetics. It aims to analyze the interplay between cinematic techniques and the representation of personal and collective memories.
This session focuses on the role of visual narratives in shaping individual and collective identities. It invites discussions on how film and visual culture influence perceptions of self and community.
This track examines the representation of historical events in cinema and its impact on collective memory. Scholars are encouraged to analyze how films construct, challenge, or reinforce historical narratives.
This session investigates the role of digital media in the creation and dissemination of memory. It seeks to understand how online platforms and technologies reshape our engagement with personal and cultural memories.
This track delves into audience studies to explore how viewers interpret and engage with memory in film and visual culture. It aims to uncover the dynamics between audience reception and the construction of memory.
This session focuses on the narrative techniques used in visual culture to convey memory. It invites papers that analyze the storytelling methods that evoke emotional and cognitive responses related to memory.
This track examines the intersection of memory and politics within cinematic and media representations. It encourages discussions on how films engage with political narratives and the implications for historical memory.
This session explores the representation of trauma in film and its relationship to memory. Scholars are invited to analyze how cinematic portrayals of trauma shape collective and individual memory.
This track investigates the concept of cultural memory and its manifestation in visual storytelling. It aims to explore how cultural narratives are constructed and transmitted through film and visual media.
This session engages with film theory to explore the conceptual frameworks surrounding memory in cinema. It invites critical analyses that bridge theoretical perspectives with practical film examples.
This track examines how different cultures represent memory in their cinematic practices. It encourages comparative studies that highlight the diversity of memory narratives across global film traditions.
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